David Gilmour Tour 2023 Tickets – As I walked into the vast, empty practice space, familiar bass lines rang out and eerie electric guitar chords fluttered through the air. An 11-piece orchestra lines the room. In the middle stands a white-bearded man with a guitar in his hand and a concentrated expression on his face.
David Gilmour sings: “Money, go away”. “Get a good job that pays well and you’ll be fine…” I stood awestruck as an esteemed audience member as legendary guitar hero Pink Floyd’s sparkling version of “Money,” Then he takes hold of the burning hand of the sheep. Freud is us and them. Then everything fell into a strange anti-climactic silence. “It’s coming,” Gilmore said.
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“It’s a painstaking technical job trying to put all the pieces together and make it sound so drum that you don’t have to think about it,” he explains as the musicians and crew lunch. They take a break. The band have been rehearsing five days a week for a month in preparation for a sold-out tour at the Royal Albert Hall next week (23, 24, 25, 23). “Emotional things happen in front of an audience, but sometimes even in rehearsals, there are moments where you really get caught up in it. Now, singing ‘Money,’ ‘Us and Them,’ I’m very familiar with the themes. I have an uneasy feeling that they are just as real today as they were all those years ago.
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At 69, Gilmore was a genteel old officer, a veteran of many campaigns, who found himself happy to be on the front lines again. His eyes lit up and he was thinking about things thoughtfully, but you could tell he found the whole game a bit ridiculous. “I think the guitar solo is a way for me to express myself in a more emotional way, because words are not my strongest communication force. My wife thinks I should take the interview by listening to the questions and answering them on the guitar.
Gilmour has been playing since he was nine years old. “I’ve never been particularly outgoing. I’ve been shy and withdrawn. It’s classic, isn’t it, your therapist will tell you, so I released it through music.” Desire for dreams. “I love to sing.” I’ve spent as much time in my life perfecting it as practicing the guitar.” But he’s known for his extraordinary playing, an expressive, melodic, slow-paced style that can touch and move the heartstrings. goes Deep in space.
“The guitar is a magical thing. It allows you to be part of a whole band, play rhythm and melody, and sing at the top of your lungs. As a solo instrument, you can bend notes and create emotional content from small movements, vibrato, and intonation. Even a piano does. Inaccessible things.”
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The way he plays has changed over the years. When Gilmour joined Pink Floyd in 1967, he was greeted with the experimental psychedelic bravado of Floyd’s tragic original frontman Syd Barrett (whom Gilmour had originally replaced). “I still want to explore, but I’m not as brave as I used to be, I’m playing more safe now. In those early days, you had to go through the worst to get to the good. I hope everything will be fine.”
“Playing the guitar is a magical thing.” Live 8 on the Gilmore Stage in London in 2005 (Credit: MG Kim/Getty Images)
His new album, Rattle That Lock, is the strongest of his four solo efforts, combining the epic strides of the later Floyd with the emotional intimacy of 2006’s On An Island. He was never a popular songwriter, but he is working again with his wife, the writer Polly Samson. “I think this album is his best work. Some of the most interesting moments in songwriting are when he sings the words for the first time, and suddenly it’s going to work.”
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Speaking about the songwriting process, Gilmour said: “I think songs are ruined because they’re ordinary or stupid, but songs that have good lyrics but aren’t supported by well-crafted music are also ruined.” Be that as it may, the goal is always that. The perfect combination of vehicle and load.”
Born in Cambridge in 1946 into a middle-class family (his father was a lecturer in zoology at Cambridge University and his mother a teacher), Gilmour studied with Jokers Wild in the mid-1960s before joining him on drums. was invited to the ranks of the nose. Mason J. Floyd.
Last year, Gilmour and Mason released Endless River, a massively instrumental and seemingly definitive Pink Floyd album featuring the late keyboardist Rick Wright. Gilmour admits that it lacks the “big themes” and “edges” of Freud’s best work. “Yes, it’s gone, but who cares?” he said with a shrug. “There were some beautiful songs that were left out, and I thought it would be a nice little gift to entertain people.” Even on the classic line-up of Live 8 in 2005, Gilmour sometimes played with old friends, bassist Roger Waters. Opponents reunited on stage, but he had no interest in meeting again.
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“I would be remiss if I didn’t appreciate the good times we had together. When I sang ‘Us and Them’ I thought how wonderful and relatable it was, and I didn’t write the lyrics or the music (credit to Ly T/Waters). I love that I can still play it. I just don’t want to do the same with the remains of these people. Rick is dead. Roger and I don’t get along very well. We still are. Talking is better now than before, but it doesn’t work, people change, Roger and I have grown up and it’s not possible to work together on any basis of reality.
Gilmour’s life was much broader than his career. “I don’t want to use the word amateur,” Polly writes, “but music didn’t control me every moment and I was in my twenties.” As someone who has to prioritize different things at different times, I cannot understand the devotion and religious fervor of the youth today, but as Joni Mitchell said, something is lost and something is gained every day. Better to know what to do. So hopefully everyone will be fed into the music.”
You got a good job with good salary, how are you? “I feel very lucky. And I feel a little guilty about the great disparity, the great injustice in life. Some people get shamed rewards for doing something and others don’t. What the hell is going on?” I want to see. Go back 200 years and see where world inequality is taking us, how things are happening in a world that seems to be more and more polarized, how are music copyrights being handled?
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Can’t people get paid to make anything amazing? I want to see what the future holds. “But I’m not going to do that.” Gilmour laughed, but half-jokingly, “I did, I’m a history buff.
David Gilmour’s “Rattle That Lock” comes out Friday. He performs at the Royal Albert Hall from September 23 to October 3. David Gilmour’s UK home is set to hit the market later this month with an expected price tag of up to £15 million. Located in Hove, a coastal town in East Sussex, the residence is said to have stunning sea views and has its own state-of-the-art recording studio measuring approximately 8,000 square feet.
Yesterday (August 11) David Gilmour and his wife, writer Polly Samson, will put their UK home on the market later this month.
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Gilmour and his partner, who bought the apartment in 2015, are said to have acquired an exclusive property from developer Sirus Taghan. During real estate development, the developer’s report sparked controversy
Seven years after moving in, the couple are on the verge of moving, according to London-based property consultancy Paredes.
The listing reportedly includes a 19th-century guest cottage and ample parking. In addition, the hotel has a modern door system. A remote control module has reportedly been installed here, allowing access to the property through biometric fingerprint reading.
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“Sometimes we would jump to the beach with our fishing rods, bring back the fish we caught, and mix some herbs in the garden, which is only five minutes from the sea to the river mouth. ” Gilmore and Samson said in unison. The statement master bedroom has ocean views on all sides, making it the perfect place to watch the sunrise and sunset.
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